Punching Out

I have my final pay stub somewhere around here, detached long ago from the check whose sum it explained. It dates from late June 2010 and I should bronze it like a baby’s shoes.

As it is for me with many other aspects of a common American—well, not just American, human—life, my relationship with work is, um, not uncomplicated. Off the top of my head, from age 15 till 40 I held 14 different clock-punching jobs from almost as many employers, with a couple employers that hired me more than once. Not included in the list is the newspaper reporter job I quit via fax machine the morning of day one, because I really am a terrible employee and I guess I wanted to prove it quickly, and the one time I was paid for an acting gig. (I was onstage with a cardboard box on my head and a ukelele in my hands—it was a little avant garde, and getting paid five bucks made it even more so.)

Life for me for the last four-and-a-half years has been nothing but free time, yet I have never been quite so productive. I will explain.

I have not been another person’s employee since the summer of 2010, when I was asked to leave my last job, which I had not enjoyed—with pay—for a total of three years and nine months, which is three years and nine months too many. The manager and I decided (quite amicably) that I no longer needed to consider him my boss and that he, equally so, no longer needed to consider himself my boss. On that much we agreed, so we parted company and even deleted each other from one another’s Facebook. It was that complete a firing.

The symptoms of my diagnosis had been prominent for most of the three years and nine months; I started walking with a cane in 2007. When the symptoms of adult spinal muscular atrophy first showed, they came suddenly. Only recently have I learned that this is a common experience among people with neurodegenerative diseases. When walking becomes difficult—in my case because the nerves that had been sending ever dimmer signals to my legs (whose muscles had started to atrophy from receiving ever dimmer signals, and thus were not being asked to work)—the end of normal walking comes as if everything had been just fine one day, and the next day it as if one’s shoes had been nailed to the ground or one’s co-workers had painted the floor with superglue. (I must not have liked the job very much, if I thought such a prank was possible!) It is sudden and scary when the progression of deterioration goes undetected and is even undetectable until the day it is completely not.

Since my last job was not a high-paying one and did not offer free or simply less expensive health insurance, I had none. So I neither spoke with anyone about my developing deterioration, nor did anyone suggest I do so. But being suddenly unemployed (so thoroughly unemployed my boss had unfriended me, please recall) meant I could get poor people’s health insurance, Medicaid. (This is before the Affordable Health Care Act, which also has in fact benefited me.)

With Medicaid came the, “Hey, doc, what gives with my legs?” conversation, and, eventually, the answer(s). With the answers came Social Security Disability, which is my sole income as of right now. If I had had insurance at an earlier date, perhaps I would have received the diagnosis and declaration of disability earlier and been able to leave my last employer on better terms. Entertaining such hypotheticals is a highly un-useful pastime, I find.

My barber asked me recently, “What do you do?” And I replied, “I am a retiree.” As I have written elsewhere, I am an alcoholic in recovery, sober several years, and I am living “Mark’s Life, Version 2.0.” The universe has afforded me a second life (not the famous online virtual community, a real second life), and the opportunity is not being wasted. I am writing, every day, on a schedule of my own fashioning, speaking with and sometimes counseling people.

There are three jobs every person in recovery thinks of pursuing, as I certainly did: becoming a counselor (but the hours of training are arduous), becoming a truck driver (perhaps because a desire to escape partly fueled the addiction and does not leave), and, after being told by enough people, “You oughta write a book about your stories,” a writer. Luckily, I already am a writer. My days are mine, every day.

(This is a revision of a column from August 21, 2014.)

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The WordPress Daily Prompt for December 9 asks, “You’re given unlimited funds to plan one day full of any and all luxuries you normally can’t afford. Tell us about your extravagant day with as much detail as possible.”

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Gad Meets Godot

“Where I live, I can not speak of it. It takes too long to say its name. Who I love, same thing.”

He goes on. “So they ask us here,” he says, “Look at that.” He points. “‘No Words As Long As This,’ the sign says. And it gives a long list of long words. It is like they want a tall, short thing. Or a short but tall one. How can I fill this for them?”

“We,” I say to him. “We.”

“Right, kid. You and I. How can we give them this? This thing they ask. It is so tough. And it is close to the time we leave.”

“I have no right to tell you what to do.”

“But.”

“But. We can wait. There is a new day and it comes next.”

“Next?”

“To this day.”

“But why ask us to do this? Like this?”

“This? Oh.” They look at the sign and read out loud:

“The WordPress Daily Prompt for December 8 asks, ‘Today, write a post about the topic of your choice—using only one-syllable words.'”

“There is one word there that I do not like.”

“What is it?”

“Syllable.”

“Oh.” They do not move.

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Put a #Hashtag on It

Many writers will claim that they “write for themselves.” This is true enough, but attention, constructive criticism, and a few “attaboys” will make the days creep at a better than petty pace.

In this social media saturated age, in which both of my septuagenarian parents have Facebook accounts and people who state that they do not understand Twitter have a couple thousand followers on that service, drawing attention to one’s work without purchasing advertising time on the radio to scream for 30 continuous seconds seems difficult. For me, a naturally quiet sort, sharing the publication of a new piece naturally feels unnatural, like recording that 30-second Janovian advertisement. Screaming is so unseemly.

But here I am, addicted to my numbers, measuring my metrics each day. It is an inner battle between believing that what I write is worth being written (does having readers or a reader equal “worth”? No, of course not) and wanting people to discover this (un)certain idea for themselves.

In the Peter Cook-Dudley Moore film, “Bedazzled,” poor Stanley Moon (Moore) wants the affection of Margaret (Eleanor Bron). The Devil, George Spigott (Peter Cook), offers him seven wishes to win her. In one, Stanley is a gold-lamé-costumed rock star whose new hit song “Love Me!” drives all the young women, including Margaret, wild. The lyrics, and Moore’s performance, are little more than him yelling “Love Me!” The very next act, Drimble Wedge and the Vegetations, wins them all over to the Devil, George, when he speak-sings his contempt for their affections. (“I’m self-contained. Leave me alone,” goes the new hit, and his dry loathing for them makes the women in the audience desire him all the more.) Stanley gets run over in the crowd rushing to the Devil at the end of his song.

 

I want to be like George Spigott, the Devil, and declare my lack of outer needs like affection (so banal) and love (so, ugh, human), so that all life-forms on planet Earth will run over each other to cover me in kisses, but really, I am like Stanley. The mere thought of wanting to be like the Devil makes me that much more like Stanley, too.

There are tools to get attention in the cacophony of voices making themselves heard in our social-media-saturated world. (I used to teach freshman college English, and any time that I write something like “In the world” or “In our such-and-such world,” I always hear the nonsense phrase that I saw again and again at the beginning of my students’ papers: “In our world of today.”) But if I hit “publicize,” a fine WordPress tool made available to those of us who use it, and my post goes to Facebook, there it sits as a reminder to people who already know about this website right here. My personal friends. If it gets publicized to Twitter, it gets lost in the dozens of posts per second that whiz past any number of readers.

The hashtag tool seems to be one item that helps the world of noise organize itself. And it has helped me direct some attention toward some columns. And it has not helped me at all, also. Like all imperfect things, it is imperfect. And that is perfect, because it is something else to learn about, experiment with, and use.

And what does a hashtag do? When one posts something on the different media platforms, a label with this punctuation mark: #, is what is called hashtagged. It helps the post get clumped together with anything else so labelled, so that people who might be interested in what it is about might find it. The title of this piece, “Put a #Hashtag On It,” will automatically be clumped together with anything else containing “#hashtag” in the title or description. (How many of those might there be today? We will see.) For the last week or so, the hashtagged phrase, “#ICantBreathe” (minus the quotation marks) has been getting a lot of attention, for good and obvious reasons. It is a shorthand way of saying, “Here is a good article about this topic or concern” or “I am showing solidarity with this concern.”

Here is a good article about this: “Now Trending: Hashtags.”

But it is an imperfect tool. Yesterday was Tom Waits’ birthday and I tweeted two tribute tweets. Both had #TomWaits in the statement. One Tweet was shared and re-shared, by people I have never before encountered on Twitter, hundreds of times according to Twitter (the first one below), and the other? Well, it was not.

What was the difference between the two? I have no idea.

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The WordPress Daily Prompt for December 7 asks, “What’s the most important (or interesting, or unexpected) thing about blogging you know today that you didn’t know a month ago?”

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