Teach Your Children

I taught freshman composition at two upstate New York colleges in the early 1990s for five years. My last class met for its final session at the conclusion of the fall 1995 semester, just over two decades ago now.

From the start of that school term, 20 autumns ago, I knew that this was going to be my last semester teaching or attempting to teach or even correctly referring to myself as a “teacher”; thus, of course, two of the three classes that semester were two of the best groups of students I had yet worked with, and they almost made me regret my decision to retire at age 27. Almost.

The decision never was mine to make, however; I was not a good teacher, and I am grateful that I learned this on the sooner side of “sooner or later.” I am, perhaps, an entertaining lecturer but I am an even better student; as a 20-something freshman composition instructor, I must have been execrable. It’s too bad that I had barely made even the faintest start in what eventually became my pose as a long-suffering anything by the time it was all over.
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2000 Days

No other word will do. For that’s what it was.
Gravy.
Gravy, these past ten years.
Alive, sober, working, loving, and
being loved by a good woman. Eleven years
ago he was told he had six months to live
at the rate he was going. And he was going
nowhere but down. So he changed his ways
somehow. He quit drinking! And the rest?
After that it was all gravy, every minute
of it, up to and including when he was told about,
well, some things that were breaking down and
building up inside his head. “Don’t weep for me,”
he said to his friends. “I’m a lucky man.
I’ve had ten years longer than I or anyone
expected. Pure Gravy. And don’t forget it.”
—Raymond Carver, “Gravy”

The plainspoken poem “Gravy” was not published until after Raymond Carver’s death in August 1988. It appeared in The New Yorker that month and it is on his tombstone in Ocean View Cemetery in Port Angeles, Washington, along with one other poem that is given the title, “Late Fragment.” Either Carver himself or his wife Tess Gallagher—who was also his literary executor—treated his tombstone as a final publication, which, at its plainest, every tombstone indeed is.

And did you get what
you wanted from this life, even so?
I did.
And what did you want?
To call myself beloved, to feel myself
beloved on the earth.
—Raymond Carver, “Late Fragment”

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Childhood’s End

The child has few memories, so those he has are detailed.

We were in my hometown for some reason one summer Sunday afternoon a couple years ago and I said to my girlfriend that I wanted to show her where I grew up. (As if I have grown up.) We drove down roads I used to bike on, walk on.

I grew up in the suburbs, in upstate New York, in the 1970s and ’80s, a neighborhood without sidewalks, with kids biking across their neighbors’ lawns (well, I did) without fear of criticism. I remembered knowing which houses had dogs that were poorly restrained (avoid those lawns or else find a new speed in my pumping little legs) and which houses were simply scary for reasons no one could explain but everyone knew which houses simply seemed scary.

(Years later, in high school, I was fundraising or campaigning for something and I dared, out of my OCD-ish sense/need to knock on every single door in the neighborhood, I knocked on the door of one of the houses that I always thought was scary. The owner was as friendly and nice as could be. I felt like I had discovered something.)
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