Masked & Anonymous

I am a self-conscious actor, yet I sometimes work at it half-heartedly. Now and again. Half-hearted and hesitant—I blush easily, which makes radio the perfect venue for the experiment (and if you write for that type of character, a blushing, stammering sort, I’m your man).
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A Pelican’s Life

For reasons that bore me, I am one of those (un)lucky, (un)happy few whose brain does not retain jokes. Neither knock-knock groaners nor shaggy-dog tales stick in this cranium; there are not many punchlines that are still connected to the matching set-up in my thinker.

In itself, this is sort of a joke, as I have written and performed radio comedy on and off for as long as I have been an adult. A quarter of a freaking century.

Each Wednesday night at 7:30 p.m. (alert: this is tonight), the Magnificent Glass Pelican half-hour is broadcast on 88.7 FM WFNP (“The Edge”) in the Rosendale-New Paltz, New York, area. The Pelican is a live half-hour radio comedy show that my friends and I have written, produced, and acted in since 1990. Lately, it has been an improvised half-hour, produced by us and scripted live on-air. We have an unwritten rule that no rules should be written.
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All but the Grand Slam

Some flash fiction-comedy follows.

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“Metaphors was as rare for me as things I can’t find anywhere.”—Pop Hinks.

Pop was describing a time when he was stretching, reaching, striving for an easy analogy, a way to convey the idea that one thing led him to thinking about another, second, thing. It eluded his thinking brain like a bird that had flown away from his grasp, though. The whole thing was a moment and a bird and Pop himself. Just those three things and they were themselves complete and entirely themselves.
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