In a Christmas Mood …

If you find yourself in London this Christmas Eve—and why would you not be there that night?—you ought to spend the evening in the company of Nick Shankland and Kitty LaRoar in the cabaret at Scarfes Bar (from 8:00 p.m. till midnight). Whoever or whatever the jazz muse is, he/she/it has decided to hang out with these two musicians and their friends the last few years.

And they released a Christmas E.P. this year, Christmas Dream, a collection of holiday standards that they treat like the ideas are new to them and the sentiments freshly felt. They make music that is beautiful, elegant, and always in the mood for love.

I have been a fan of Kitty LaRoar and Nick Shankland’s music for a couple years now, and each recording brings new pleasure with repeated listens. Her voice and his piano accompanied me through this challenging 2016 and helped make it less so. Last year they released an E.P. for Valentine’s Day (titled Valentine’s Eve, with saxophonist Ed Jones) … if they dedicated themselves to recording music about every holiday on Earth, I would be happy to take that global tour with them.
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On His 90th Birthday, Chuck Berry Ends Silence

In 1979, Chuck Berry released Rock It, his only album with Atco Records. Aside from live albums, the occasional compilation, and the soundtrack to the film Hail! Hail! Rock ‘n’ Roll, Rock It has held its position as the last, the most recent, Chuck Berry album ever since.

Until today. Chuck Berry celebrated his 90th birthday today with a surprise announcement: he will release a new album of original songs next year. It is to be titled Chuck.
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‘Space Is the Place’

“Why did you stop playing the sax?” I asked a friend one day. He had been a Bebop player of growing reputation back in the ’50s but ended that career to become a poet.

“It never stopped sounding like a saxophone, no matter what I did,” was his reply. As a writer, he could transform things into words and words into things and essences into essentials, and also none of the above.
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