memories

The Fewcher

Posted on by Mark Aldrich

It was my least favorite question in school. “What do you want to be when you grow up?”

On one occasion, I remember being forced (forced!) to draw what I pictured my life to look like … in … the … few … cher-er-er. (Echoes.) If I had had the sense of humor I now claim to have, I would have drawn someone who was capable of drawing. Maybe I would have drawn someone holding a board with many colors on it. The person would be wearing a smock. And a beret. (That was how Mr. V—, our art teacher in elementary school, dressed. It was almost a parody of a cliché of someone’s parodied cliché of what an artist looks like.) The caption to my drawing would have stated that I hoped I would be able to draw when I was a grown-up.
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Begin in Dreams

Posted on by Mark Aldrich

In one dream, a dream encountered once each month or so, a password to an email service or to the office desktop itself can not be remembered. Or interruptions prevent typing it in within a fifteen-second countdown. He has been away from the office for so long—a decade—and he sees the voice mail light flashing on his phone, but he can not remember the four-digit access code. How many messages? he wonders.

Even without the password, he catches a glimpse of the waiting emails and they scroll without him touching the mouse, and he has a deadline to meet that somehow exists simultaneously as “just missed,” “about to be missed,” and “missed a decade ago, so why are you dreaming about a job that was three or four jobs ago”? Is this even his cubicle, anyway?

No bosses are visible, but unseen bosses are the only ones required in a nightmare.
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A Morning Meditation

Posted on by Mark Aldrich

Cemeteries are cram-packed full with people who had other plans that day. Reservations for dinner, a movie ticket in the pocket. A refrigerator with new groceries. A sink with dirty dishes.

We all know this deep down, but the occasional reminders can nonetheless surprise. “Always wear clean underwear,” a clichéd cartoon version of a mother tells a clichéd cartoon version of us in a clichéd cartoon conversation that never really happens. But the end comes in a moment, and it is always dramatic, even when it is mundane.
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