Upside Down

For a year I lived with a diagnosis of Friedreich’s ataxia, a genetic, neuromuscular disease whose symptoms are quite close to mine.

My symptoms: Since 2005 I have been aware, at first dimly, of a mobility disorder developing in me; today, in 2015, I walk with a cane or impressive walking stick, stiffly, like I am wearing very tight jeans; I have little sensation in my lower legs and even have moments of “body confusion” in which I think I am moving my right leg but my left leg moves. I sway when I stand and fall/walk into walls and my sense of not knowing where I am in the world contributes moments of comedy to my day. I was in my mid-30s when the symptoms began to attract my attention, which means the symptoms began to appear several years earlier.

Instead, it is very likely that I have a disease called spinal muscular atrophy, but I am grateful for that year in which I thought I had Friedreich’s ataxia. This is because all that I knew upon learning my diagnosis was my diagnosis—Dr. M, my neurologst, did not even hand me a tri-fold pamphlet, “So You Have a Potentially Life-Shortening Condition,” if such an item is even available—but there were online groups ready to embrace someone like me.
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One Who Got Away

More so for Sylvia Plath than many other writers, readers develop protective feelings for her. Many openly express the idea that “only they” get her or are her best reader. Reading biographies of the dead poet, one encounters language akin to a lover describing the one who got away. Plath, a suicide, is a love who got away, for reader after reader.

The other Plath scholars or even her casual readers (if such readers exist) are viewed as rival suitors, as dead wrong for her, as individuals mishandling her bones. Some biographers refer to her by her given name, “Sylvia,” rather by than her personal and professional name, Plath, thus treating her as a familiar. Others are deeply offended by this practice, which does indeed appear to be something reserved for this poet alone. It has the effect of making her the star of a soap opera that she never cast herself in.

(Until her death in July 1995, I was friends with and a student of a Sylvia Plath scholar at SUNY New Paltz, Dr. Carley Bogarad. If ghosts existed, I wish hers was looking over my shoulder today.)
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Be It Ever so Mumble

Home, is where I want to be
But I guess I’m already there
I come home, she lifted up her wings
I guess that this must be the place
 
I can’t tell one from the other
I find you or you find me?
There was a time before we were born
If someone asks, this is where I’ll be, where I’ll be.

—”This Must Be The Place (Naive Melody),” Talking Heads

Give me a country or pop song about home or going home and my immediate reaction is often, “That’s right. That’s what I need.” I am a sucker for cliché. I am not someone who makes wherever I am at the moment into home. The myth of Home will always outweigh the fact of Residence in my psyche.

Conversely, whenever I hear a “road” song like Geoff Mack’s “I’ve Been Everywhere” (best spoke-sung by Johnny Cash), it becomes a to-do list in my heart. I have not been everywhere, far far from it, but I ran when I could. Not far and not often, but let no one make your journeys anyone else’s cliché. My travels are unique to my eyes and ears.
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