Head-Scratching

Among the many things that are better left to professionals—piloting a jet, performing almost any surgery, copy editing—cutting hair always should be included. I did not know this until the day I did.

It looks so easy. The professionals talk while they are doing it, for crying out loud. How do they do that? Interrupt me while I am typing away and I will pretty much stop typing and begin to glare at you until you decide to ask someone else what I am doing.
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My Surreal Life

A young woman and a child, a toddler young enough for a stroller but old enough to walk alongside it, entered the elevator my friend and I were already on. The doors shut, and the child looked at me, looked me square in the eyes, and said, “Hi, Mark.” Precisely enunciated. Distinctly direct.

Now, Mark happens to be my name. I had never seen the woman, or boy, before. My friend looked at me and I suppose he saw a shocked look come over my face. When we got off the elevator—not at our floor, but the next available, because I was spooked—he asked, “Do you know them?”

“No. That was random. Did that kid say my name?”

“Yeah. Definitely. As if he was about to tell you something important.”
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Richter at 100

There are many videos available online of the great pianist Sviatoslav Richter at work. In the “comments” section under many of the Richter videos one will often find a person complaining or simply stating that the recording is “fake” or appears to them to be “speeded up.” In this age of photo editing and video editing software, this era in which we assume lies are being told and fakery is afoot, it is something of a backwards compliment being paid to Sviatoslav Richter, who was born 100 years ago today.

Anyone who could cover the keyboard that completely, that quickly, could not have been real. He could, he did, and he was.

Below is a clip of Richter tearing into the Étude Op. 10, No. 4 by Chopin, which is written to be played very fast, with passion; the sheet music itself overflows with notes. In Richter’s hands, it is volcanic.

 
Imagine the floor under that piano.
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