coronavirus

Pandemic Diary: #NamingTheLost

Posted on by Mark Aldrich

Two days after my father, William Robert (Bob) Aldrich died of COVID-19 (May 10) in Hyannis, Massachusetts, I was a participant in an online video meeting. Just before it was my turn to speak, something caught my eye: a cardinal, small but rich red in color, alighted on the Rose of Sharon bush beside my window.

Not many birds choose to visit this bush; it is crowded with thin branches and it is smack against the side of the house here. Also, the flowers are not in bloom yet; when they are, the bees will comprise approximately ninety-eight percent of the bush’s visitors rather than birds: through the day, the sound of bumblebee collisions with the window next to the Rose of Sharon punctuates my day.

The red of the cardinal caught my eye, because red always does, and birds are somewhat rare on that exact spot and cardinals rarer still (this was the first time). I mentioned it as I spoke, mostly to make a joke about the fact that the previous speaker’s cat had leapt into her camera frame. (Her cat had chased this bird to me, was the quip. I’m a dad joke waiting to become a father.) Someone all but said that the cardinal was my dad; I do not remember if the thought was that a bird’s visit is spiritual or a cardinal’s visit is.

Red cardinals are the males of the northern cardinal (Cardinalis cardinalis); my dad was male, of course, but his hair was red when his hair had color. Red so noteworthy that his nickname in his hometown was “Red.” My friend had no way to know this.

I do not believe in a spiritual world, but sometimes it can almost seem (even to me) that the spirit world wants my attention. I do believe in a spiritual life in that I believe the only point to life is love; perhaps that is not “spiritual,” perhaps it is.
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Pandemic Diary: Just a Box of Rain

Posted on by Mark Aldrich

I said to my soul, be still, and wait without hope
For hope would be hope for the wrong thing; wait without love
For love would be love of the wrong thing; there is yet faith
But the faith and the love and the hope are all in the waiting.
Wait without thought, for you are not ready for thought:
So the darkness shall be the light, and the stillness the dancing.
Whisper of running streams, and winter lightning.
The wild thyme unseen and the wild strawberry.
The laughter in the garden, echoed ecstasy
Not lost, but requiring, pointing to the agony
Of death and birth.
—T. S. Eliot, “East Coker,” Four Quartets

* * * *
One day, he decided to read the pages that I’d left next to my typewriter. I was a literature major in graduate school, and I had just pounded out some pages about “The Waste Land” for a summer T. S. Eliot seminar. “I don’t understand anything you wrote, but it sounds like you know what you’re taking about,” my dad said with a chuckle.

My dad had a pretty good chuckle, just so you know. Chuckles are difficult to rank because they receive little attention in the universe of laughs, but they are worth a note. My dad’s chuckle was never one that claimed he knew more than the person with whom he was speaking, or more than anyone else, for that matter. It was an honest assessment of how amused he was at the moment, which I realize now was one way that told us his full-bodied laughter was true and truly felt.

I did not appreciate my dad’s chuckle that summer day so long ago, though. “The poetry of T. S. Eliot is more important than a laugh,” I am certain I thought. (I was insufferable, I assure you. My insufferable self, so convinced of his own importance, still is around here somewhere, but does not show up often.) Well, Eliot’s poems have plenty of laughs and chuckles available, as I now know, and I also know now that my dad’s message to me was a sort of baffled pride in a son so different from and yet so similar to him.

As I have grown older, I have come to appreciate Eliot’s volume Four Quartets and its deeply considered meditations on time, man’s role in the cosmos, eternity, and the permanent immanence of eternity in any possible moment, never at any individual’s bidding. With my father’s death from COVID-19 on Sunday, May 10, those themes become that much more important to me, and since he chuckled at my Eliot paper (“your report” he called it), perhaps a start with Eliot (“East Coker” opens with “In my beginning is my end”) today would have earned a chuckle from him.
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Pandemic Diary 16: A Bigger Picture

Posted on by Mark Aldrich

Rage is the most short-sighted emotion, but it is the one I have witnessed in my quarantined self more and more lately.

* * * *
Information provides something of a relief. Not the numbers, not the information about particulars—there are so many numbers right now, from the numbers of sick and the lists of the newly departed, both of which only do one thing: increase at a pace which itself shifts day-by-day, up and down, and that changing pace is its own number in which one can lose time in unproductive obsession—no, the one bit of information, the one number everyone wants to learn is: How many more tomorrows will resemble this collection of slow and anxious todays? We have had so many todays in a row, after all.

In much of the world, the long today of quarantine will last into May. Ireland’s government announced an extension of its nationwide coronavirus shutdown until May 5 last week. New York State announced its PAUSE extension until May 15 this morning.

There is some comfort in the thought that one knows how many more days this will continue.
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