For Christmas: ‘For the Time Being’

During World War II, the poet W.H. Auden wrote a book-length poem entitled “For the Time Being.” It is subtitled, “A Christmas Oratorio,” and it is a retelling of the Christmas story, but with a 20th Century sensibility. His Herod, for instance, is a technology-loving king who loves that he lives in an Age of Reason and is ever-perplexed by faith and irked that he must hunt down and exterminate the baby Jesus.

An oratorio is a type of composition that was popular in the Baroque period and in churches and has not had many comebacks as a poetic or theatrical form because it never had a period of dominance. It never went away but it was never the first choice of writing mode for many writers. (Paul McCartney produced a quite famous one, “A Liverpool Oratorio,” two decades ago.) Auden was a poet of structures and forms, though, and he produced an attempt at almost every style and poetic structure in his body of work (about 400 poems and several full-length verse plays).
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A Christmas Oratorio

During World War II, the poet W.H. Auden wrote a book-length poem entitled “For the Time Being.” It is subtitled, “A Christmas Oratorio,” and he desired that it be set to music; because it is fifty-two pages long as it is, without the addition of music or stage directions, he could have easily subtitled it, “The Longest Christmas Oratorio: Bring Snacks.” Benjamin Britten decided that composing music for the full work was too difficult so he set two sections to music.

“For the Time Being” was published in 1944. I will explore it a bit more tomorrow. It is found in Auden’s Collected Poems. Here is one section:
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A Christmas Story

I am sitting in my girlfriend’s office looking at her office Christmas tree. It is white, snow white, like a snowman in a Rankin/Bass stop-motion cartoon. (Paul Frees would provide the voice.) We will be trimming it in a few moments.

I think that tree trimming was my least favorite type of trimming when I was young. I still lack the eye necessary for decorating a tree correctly; in fact, I believe that almost every tree I have attempted to decorate has been quietly fixed upon my leaving.

(Two things transpired within moments of me writing the above: 1. My girlfriend credited me with expanding her notions of tree decoration—she said, “You’re the first person I’ve seen who does not put all the decorations on the ends of the branches,” which is true, I sometimes place them on the middle or sometimes closer to the trunk; and 2. We found that I had overloaded one section with the same color ornament and we needed to correct this.)
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