Roland Barthes

The philosopher, semiotician, literary theorist—the writer—Roland Barthes died 35 years ago today.

Reading him (well, a good translation, usually by Annette Lavers or Richard Howard) as a teenager was one of my formative experiences; it was my first conscious experience of my brain expanding with the simple idea that everything is worth notice and consideration. Everything produced by a culture is a signifier of at least that culture itself. His most popular book, Mythologies, is about common aspects of civilization, the items and ideas that make up our modern mythology of ourselves: plastic, toys, striptease, cruises, soap and detergents. Other writers and cultural critics have followed Barthes; perhaps the fact that the job title “cultural critic” exists is attributable to Barthes’ work. Almost every television, music, and film reviewer owes Barthes a debt, but his studies went far deeper than the popular everyday items.
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Two Awards, Plus a Film Plug

About two years ago, before this blog was launched, an online publication presented without any introduction a short film that I could not stop watching. It was an insomniac night and I no longer remember the name of the publication that made the insomnia worthwhile. (Buzzfeed, perhaps?) I think the only thing the publication said about it was that it was “narrated by Siri,” the iPhone voice, and that it was weird.
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The Story so Far …

I never looked for his book online or in a bookstore. He showed it to me, or he showed me a galley proof of it. And now I do not remember his name or much about the book.

We were on a plane, and 98% of my personal air travel history dates from the years 2000 to 2004, when I moved from upstate New York to Cedar Rapids, Iowa, and twice a year I returned home for holiday visits. The typical route was Eastern Iowa Airport to Cincinnati/Northern Kentucky International Airport to Stewart International Airport or Logan in Boston, because there are no direct flights between Iowa and anyplace else I have ever lived.

Sometimes I am a tense passenger, one of those who grips the armrest so tightly that I may as well pocket it and carry it home, and sometimes I am relaxed and almost human. Air travel offers an intensification of experience; one deals with emotions not often felt on the ground, from the fear of permanent change to the excitement of temporary reunions.
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