Almost, Famous?

Noises Off” is one of the most popular comic plays of the last forty years. If you have ever seen it performed, you know it can be hilarious; the film version proved that there are some plays that can not be made into movies because they are so completely theatrical. This is a story about the original Broadway production and an apology from me to Victor Garber, who starred in it.
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Roland Barthes

The philosopher, semiotician, literary theorist—the writer—Roland Barthes died 35 years ago today.

Reading him (well, a good translation, usually by Annette Lavers or Richard Howard) as a teenager was one of my formative experiences; it was my first conscious experience of my brain expanding with the simple idea that everything is worth notice and consideration. Everything produced by a culture is a signifier of at least that culture itself. His most popular book, Mythologies, is about common aspects of civilization, the items and ideas that make up our modern mythology of ourselves: plastic, toys, striptease, cruises, soap and detergents. Other writers and cultural critics have followed Barthes; perhaps the fact that the job title “cultural critic” exists is attributable to Barthes’ work. Almost every television, music, and film reviewer owes Barthes a debt, but his studies went far deeper than the popular everyday items.
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Two Awards, Plus a Film Plug

About two years ago, before this blog was launched, an online publication presented without any introduction a short film that I could not stop watching. It was an insomniac night and I no longer remember the name of the publication that made the insomnia worthwhile. (Buzzfeed, perhaps?) I think the only thing the publication said about it was that it was “narrated by Siri,” the iPhone voice, and that it was weird.
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