A Sentimental Journey Through …

Posted on by Mark Aldrich

Laurence Sterne was dying of consumption, the polite yet dramatic term that people used to employ for pulmonary diseases, especially tuberculosis. He had contracted it by 1740, when he was still in his 20s, and he fought for his every breath for his remaining three decades of life.

In 1765, he left England in search of better breathing, and he traveled abroad to France and Italy. He was a surprise best-selling author by this point, a clergyman who had decided on a whim to start telling the life story of a character but by not telling it in a straightforward manner, to comically digress his way through “The Life and Opinions of Tristram Shandy, Gentleman.” One of the earliest novels in English or any language, “Shandy” was an instant success when its first two volumes started appearing in 1759.

The genre we call “travel writing” was not as common in the 1760s as it is now, and most works in that genre at that time were quite unsentimental: verbal pictures of natural phenomena and wonders of the man-made world and warnings-slash-complaints about the foreignness of foreigners on their strange home turf. In his 1765 journey, Sterne encountered fellow novelist Tobias Smollett, and the stern, dry Smollett left such an impression on the always amused Sterne that in his book, “A Sentimental Journey Through France and Italy,” he based a character named “Smelfungus” on Smollett. Nice revenge.
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Today in History: March 7

Posted on by Mark Aldrich

U.S. Patent Number 174,465 was awarded to Alexander Graham Bell 140 years ago today. It carried the mundane title, “Improvement in telegraphy,” but for all intents and purposes the patent is for the telephone, and so is one of the most noteworthy patents in history.

One key description describes the intent of the invention: Bell’s “improved” technology provides a new “method of, and apparatus for, transmitting vocal or other sounds telegraphically … by causing electrical undulations, similar in form to the vibrations of the air accompanying the said vocal or other sound.” On March 7, 1876, however, the intention was all Bell and his lab assistants had. He ha not developed an operational device. Three days later, on March 10, Bell’s assistant Thomas Watson heard his boss’ voice transmitted on the experimental apparatus in a legendary moment: “Mr. Watson—Come here—I want to see you.”
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What Dreams Are Made Of

Posted on by Mark Aldrich

Alfred Hitchcock is credited with coining the term “MacGuffin,” but not the thing itself, which has been around since people started telling stories to each other. In spy movies and thrillers, a MacGuffin is the object that sets the plot of the movie in motion; it’s usually a something people desire that the hero and his nemeses pursue, and that pursuit provides the film’s plot. The specific nature and form of the MacGuffin is usually unimportant to the overall plot. In plot terms, but not theological ones, the apple in Genesis is a MacGuffin.

Neither of the two most famous examples of a MacGuffin in film history appear in a Hitchcock film however, even though he used the device quite frequently in his many movies (he directed more than 50 films from the 1920s through the ’70s).
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