Auden’s ‘September 1, 1939’

Posted on by Mark Aldrich

Shortly before his death, the poet W.H. Auden told talk-show host (and former politician) Richard Crossman, “Nothing I wrote prevented one Jew from being gassed or stalled the war for five seconds.”

At first glance, this places the bar very high for the role of a writer in the affairs of the world, but it is simply a stark assessment of the reality that a writer has no say in the practical matters of life and death. He is not saying that words do not matter but is instead drawing the boundary between where they do matter and where they can not. Writers are makers and not doers, not “men of action,” Auden also liked to say.
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A Passing Shiver

Posted on by Mark Aldrich

This story has no ending yet, not one I am privy to, anyway.

There are many reasons a person may attend the recovery meetings I attend. They are private to each attendee, of course. Each person may hold several disparate reasons inside him or herself at any moment for coming to a meeting, even reasons that are in conflict with one another. One lucky stroke for me is that at six plus years sober, I am six plus years removed from the life that had me living just this side of the category of “Street Urchin.”

I was seated next to a street urchin today. He was shivering, even though it is September 1. He started shivering once he started to speak, and speaking may be what saves his life in the long run.
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Today in History: Sweet September

Posted on by Mark Aldrich

There are many songs that feature the word “September” in the title and as a theme—”September Song,” of course, and “Wake Me Up When September Ends,” “The September of My Years,” “Miss September,” “September” (Earth, Wind, & Fire). All of us together can probably name several dozen September songs. Each one represents a different reason for crafting a song with September in the title and as a theme.

Here is one other, Bill McGuffie’s “Sweet September,” in a 1963 recording by pianist Bill Evans (video after the jump):
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