Today in History: September 19

Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too,–
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The redbreast whistles from a garden-croft,
And gathering swallows twitter in the skies.
—John Keats, the final stanza of “To Autumn”

John Keats composed “To Autumn,” one of his masterpieces, on this date in 1819.

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It is the birthday of singer/songwriter/actor/friend of Kermit the Frog/President of ASCAP/recovery advocate Paul Williams today. He is a personal hero of mine.

Whatever one may call a 76-year-old who is still winning awards for new music, is an advocate for recovery, and also testifies before Congress on behalf of song creators, you may as well call that “Paul Williams” from now on, because that is still his day-to-day life.

Further, Mr. Williams appears to have set for himself a personal goal of speaking with (in-person or online) every human being he possibly can meet. That is the only way I can explain him saying kind things to me on my Instagram account via his Instagram account.

I am as awkward around famous people as I am around people people. Even the clunkiness of that sentence captures my general social clunkiness.

It is entirely likely that anyone within reading distance of this blog has met more famous people (and more-famous people) than I have. A well-balanced person treats the waiter like a prince and talks with royalty like they’re the next-door neighbors; I am well-balanced, but not in a good way: famous, infamous, or unknown, I usually treat everyone like he or she is a teacher who has announced a pop quiz that I have not studied for.

Social media has made it easier for people to have certain kinds of encounters with the famous among us; many celebrities and politicians personally run their online fan clubs. Many do not. This has not made these encounters any less attention-grabbing for me when they do happen. (Three of my all-time favorite writers followed my Twitter account, two of them within a week of each other; I was a six-foot-tall cliché of self-importance that week. Two of them have since “unfollowed” me. I was a six-foot-tall cliché of crushed.)

If you have not seen Stephen Kessler’s excellent documentary Paul Williams Still Alive from 2012, you ought to. It is still on Netflix. The trailer (after the jump):
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Today in History: September 18

“He that hopes to look back hereafter with satisfaction upon past years must learn to know the present value of single minutes, and endeavor to let no particle of time fall useless to the ground.”—Samuel Johnson, Rambler 108, March 30, 1751

Samuel Johnson was born on this date in 1709 in Lichfield, England.

Dr. Johnson was 41 in March 1751, when he wrote the above quote, and he was several years into his work on his most lasting project, his Dictionary. Unlike most of the dictionaries developed for any language, and all dictionaries in English, Johnson’s A Dictionary of the English Language was written by one man. An entire dictionary, with more than 40,000 word entries and over 100,000 literary quotations to back up and explain Johnson’s definitions and create an etymology (the study of the origin of words). It took Johnson nine years to complete it; 75 years later, Noah Webster published his own dictionary, which had 70,000 entries, took 25 years to complete, and cites Johnson’s work throughout. The first completed edition of the Oxford English Dictionary took 75 years and dozens of scholars to compile its first edition, published in 1928. Johnson worked alone.
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Today in History: September 17

RCA Victor introduced the long-playing record, the 33 1⁄3 rpm, 12-inch, record on this date in 1931. It was the first record that could play up to fifteen minutes on a side.

Because classical music seemed to be the only appropriate music for the new format, the first recording that the company offered (under the catalog number of Victor L-7001) was a brand-new recording of Beethoven’s Fifth Symphony performed by the Philadelphia Orchestra conducted by Leopold Stowkowski. The orchestra was recorded with new equipment designed especially for recordings to be played on the new LP phonographs, which were to be outfitted with the company’s own chrome-plated steel needle, the “Chromium Orange,” when playing the new LPs.

The orchestra was recorded in August; 85 years ago today, these recordings were released (click to play):

1931 Beethoven Symphony no 5 movement 1
 
1931 Beethoven Symphony no 5 movement 2
 
1931 Beethoven Symphony no 5 movements 3 & 4

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