Henry Aaron: 1934–2021

A personal memory of the all-time great.

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Henry Aaron, the greatest baseball player in history, died this morning at the age of 86. Because he played in an era in which baseball was a part of what it felt like to be an American, his impact on the sport extended far beyond baseball. America needed Hank Aaron (and Willie Mays and so many others) in ways that it still has not started to appreciate.

In baseball, his statistics will always be eye-popping: if one removes his 755 home runs from his hit total, he still had more than 3000 hits. That is only the beginning of his importance in baseball history. I caught a glimpse once of how he carried himself as a person, which for me has long represented some of the reasons he could have that impact on American society far beyond his baseball card stats. I’ll tell that brief story below.

On April 8, 1974, Aaron hit the 715th home run of his career in Atlanta in the fourth inning of a game against the Los Angeles Dodgers. He was a member of the Atlanta Braves and had been for two decades. His 715th homer broke a record for career home runs that had been set when Babe Ruth hit his final home run in 1935. (Aaron’s final record of 755 homers stood until 2007.)
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A Year in the Rearview Mirror

They say eyes clear with age,
As dew clarifies air
To sharpen evenings,
As if time put an edge
Round the last shape of things
To show them there;
The many-levelled trees,
The long soft tides of grass
Wincing away, the gold
Wind-ridden waves – all these,
They say, come back to focus
As we grow old.
—Philip Larkin, “Long Sight in Age,”
The Complete Poems

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For me, the year that is about to end started inauspiciously. Two friends verbally included me in plans to attend a New Year’s Eve sober party that night, and each one forgot me, their promise, or the party. Perhaps each one forgot those things in that order, but by midnight the details were superfluous as were any apologies.

At a brunch the next day, all three of us were there, but no apologies were offered anyway. Perhaps that sums up everyone’s 2020 as we ring it out in gatherings smaller than last year’s parties or even alone (tonight makes a few consecutive years alone for your correspondent): “No apologies were offered anyway.”

The year that is about to open for business will not immediately offer new emotions or news that will change one’s day-to-day life, of course. The collective desire for tomorrow morning to bring something that we can only give ourselves—peace and togetherness—dominates the online conversations that I witness. The year we just experienced together in our collective aloneness, well, many people want to feel what it feels like to let something go; they want January 1 and the promise that that date represents to carry us away from this painful season.

We say that we are ready for something new, but it is likely that some of us said that very same thing last January 1, and something new is indeed what I experienced in 2020, again and again. This is true for many of us.
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The View From Fifty-Two

Because the past has a script, we think it is easier there.

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In an informal survey that I have conducted my entire life, there are no popular songs about the experience of life at fifty-two years of age, which is too bad because today I am fifty-two.

Fifty-two is of course the same number as a full deck of cards, which is something that I had not noticed until it was pointed out to me, I am ashamed to tell you. Thus: not a full deck here.

I relate to certain lines in some songs a bit more closely than I may want to admit (Leonard Cohen’s “Tower of Song” has the pithy, “I ache in the places I used to play,” for instance), but what is fifty-two? There is no answer to that any more than there is to the same question about the round-number ages, about which society deems it okay to be dramatic and sing songs about the significance of one’s body and the number of revolutions around our star it has made.
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