Awesome. Just Awesome.

One can not, or ought not, nickname oneself. This is not a hard-and-fast social rule, but it is similar to the unspoken rule about not declaring oneself humble. The person who volunteers that he or she is humble often is not at all humble. An exception comes when the humble person is speaking self-deprecatingly.

Every once in a while, I have desired a cool nickname, a moniker that precedes me wherever I roam. “Lefty” is a great nickname—Steve Carlton and Phil Mickelson both carry that name with distinction, but I am right-handed. No one goes by the name “Righty.” “Write-y”? No. No one needs a nickname that is a pun, a rhyme no less, and would always need a follow-up explanation: “‘Cause he calls himself a writer, get it?”

“No. No, I don’t.”
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Generation X?

“You’d really hate an adult to understand you,” one girl named Susan is quoted as saying. “That’s the only thing you’ve got over them—the fact that you can mystify and worry them.”

Others are quoted as saying things like, “Marriage is the only thing that really scares me,” and, “Religion is for old people who have given up living,” or, “I’d prefer to do something for the good of humanity,” and, “You want to hit back at all the old geezers who tell us what to do.”

Man, those millennial kids today have so much anger! Except each one of these quotes comes from a book published in 1964 in the United Kingdom called “Generation X.”
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What I Did for Like

In this social media-saturated (and media-about-media-saturated) era, in which both of my parents, one of them an octogenarian, have active Facebook accounts, and in which people who have told me to my face that they do not understand Twitter themselves have a couple thousand followers apiece on that service, drawing attention to one’s writing or art or craft or charitable work without purchasing advertising time on the radio to scream for 30 continuous seconds can seem difficult. For me, a naturally quiet sort, sharing the publication of a new piece feels unnatural, like actually recording that 30-second Janovian advertisement. Screaming is so unseemly.

(Perhaps I will go ahead and record that.)

In the Peter Cook-Dudley Moore film, “Bedazzled,” poor Stanley Moon (Moore) wants the affection of Margaret (Eleanor Bron). The Devil, George Spigott (Peter Cook), offers him seven wishes to win her. In one, Stanley is a gold-lamé-costumed rock star whose new hit song “Love Me!” drives all the young women, including Margaret, wild. The lyrics, and Moore’s performance, are little more than him yelling, “Love Me!”

The very next act, Drimble Wedge and the Vegetations, wins the entire screaming audience over to the Devil, George, as he speak-sings his dripping contempt for their affections. “I’m self-contained. Leave me alone,” goes the new hit, and his dry loathing for them makes the women in the audience desire him all the more. Stanley gets run over by the crowd that once briefly adored him as it rushes to the Devil at the end of his song. (The video clip that follows below the fold here both takes up too much space and is set too loud. Brace your ears.)
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