Where Dreams Come Not-True

There is a big difference between living a life story about which people say, “That ought to be a movie,” and possessing a life story about which those same people will pay real money to buy the book or sit in a theater to view that movie.
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Social Disaster on Broadway

“Noises Off” is one of the most popular comic plays of the last forty years. If you have ever seen it performed, you know it can be hilarious; the film version proved that there are some plays that can not be made into movies because they are so completely theatrical.

This is a story about the original Broadway production and an apology from me to Victor Garber, who starred in it.
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Snap, Crackle, Broken!

(Revisiting an anecdote … other projects have my attention at the moment.)

My lust for toys went through phases when I was a kid, from action dolls to Matchbox cars to magic kits to a brief fling with fully functioning model trains, to video games.

The most “useful” action doll was “Stretch Armstrong,” which was the one doll that lived up to its name and moved just like the cartoon character. It stretched. Thus, it was “realistic.” One of my friends had one of these. The least useful was the “bionic man” Steve Austin doll, which was easily broken yet completely indestructible. His bionic eye was not a telescope but instead a simple hole drilled through his head with a glass tube inserted. The tube was cloudy with dust within months or minutes of opening the doll’s box. Thus, it was “real” as opposed to “realistic.” And that of course was the doll I owned.
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