A continuing series: How to Be AwkwardTM, by Mark Aldrich.
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Noises Off is one of the most popular comic plays of the last forty years. If you have ever seen it performed, you know it can be hilarious; the film version proved that there are some plays that can not be made into movies because they are so completely theatrical.
This is a story about the original Broadway production and an apology from me to Victor Garber, who starred in it.
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A friend told me about eating out with her “sarcastic” friend—we all have one—when the two of them saw a toddler, bundled up in winter layers, bounce off a closed glass door and fall because the child had not perceived the door.
The sarcastic friend said, sotto voce, “Get used to that, kid.”
Life is a clear, freshly cleaned, plate glass door that I haven’t noticed is a door, even with a shiny metal door handle at every-door-you’ve-ever-seen’s-door-handle-height on it, because I have been too busy thinking about life (or “thinking” “about” “life”) until I bonk into it. Loudly.
When are we too young to learn that? or too old to be reminded?
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He was a writer, that much he made certain I knew. A poet.
I never looked for his book online or in a bookstore. He showed it to me, or he showed me a galley proof of it. And now, more than a decade later, I do not remember his name or enough about the book to find out whatever happened to him or it.
The two of us were passengers on a plane, and 98% of my personal air travel history dates from the years 2000 to 2004, when I moved from upstate New York to Cedar Rapids, Iowa, and twice a year I returned home for holiday visits. The typical route was: Eastern Iowa Airport to Cincinnati/Northern Kentucky International Airport to Stewart International Airport (or sometimes Logan in Boston), because there are no direct flights between Iowa and anyplace else I have ever lived. The book author was a wadded-up sheet of paper’s direct flight across the aisle from me.
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