In a Christmas Mood …

If you find yourself in London this Christmas Eve—and why would you not be there that night?—you ought to spend the evening in the company of Nick Shankland and Kitty LaRoar in the cabaret at Scarfes Bar (from 8:00 p.m. till midnight). Whoever or whatever the jazz muse is, he/she/it has decided to hang out with these two musicians and their friends the last few years.

And they released a Christmas E.P. this year, Christmas Dream, a collection of holiday standards that they treat like the ideas are new to them and the sentiments freshly felt. They make music that is beautiful, elegant, and always in the mood for love.

I have been a fan of Kitty LaRoar and Nick Shankland’s music for a couple years now, and each recording brings new pleasure with repeated listens. Her voice and his piano accompanied me through this challenging 2016 and helped make it less so. Last year they released an E.P. for Valentine’s Day (titled Valentine’s Eve, with saxophonist Ed Jones) … if they dedicated themselves to recording music about every holiday on Earth, I would be happy to take that global tour with them.
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A Christmas Oratorio

During World War II, the poet W.H. Auden wrote a book-length poem entitled “For the Time Being.” It is subtitled, “A Christmas Oratorio,” and he desired that it be set to music; because it is fifty-two pages long as it is, without the addition of music or stage directions, he could have easily subtitled it, “The Longest Christmas Oratorio: Bring Snacks.” Benjamin Britten decided that composing music for the full work was too difficult so he set two sections to music.

“For the Time Being” was published in 1944. I will explore it a bit more tomorrow. It is found in Auden’s Collected Poems. Here is one section:
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A Christmas Story

I am sitting in my girlfriend’s office looking at her office Christmas tree. It is white, snow white, like a snowman in a Rankin/Bass stop-motion cartoon. (Paul Frees would provide the voice.) We will be trimming it in a few moments.

I think that tree trimming was my least favorite type of trimming when I was young. I still lack the eye necessary for decorating a tree correctly; in fact, I believe that almost every tree I have attempted to decorate has been quietly fixed upon my leaving.

(Two things transpired within moments of me writing the above: 1. My girlfriend credited me with expanding her notions of tree decoration—she said, “You’re the first person I’ve seen who does not put all the decorations on the ends of the branches,” which is true, I sometimes place them on the middle or sometimes closer to the trunk; and 2. We found that I had overloaded one section with the same color ornament and we needed to correct this.)
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