Auden’s ‘September 1, 1939’

Shortly before his death, the poet W.H. Auden told talk-show host (and former politician) Richard Crossman, “Nothing I wrote prevented one Jew from being gassed or stalled the war for five seconds.”

At first glance, this places the bar very high for the role of a writer in the affairs of the world, but it is simply a stark assessment of the reality that a writer has no say in the practical matters of life and death. He is not saying that words do not matter but is instead drawing the boundary between where they do matter and where they can not. Writers are makers and not doers, not “men of action,” Auden also liked to say.
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Today in History: Sweet September

There are many songs that feature the word “September” in the title and as a theme—”September Song,” of course, and “Wake Me Up When September Ends,” “The September of My Years,” “Miss September,” “September” (Earth, Wind, & Fire). All of us together can probably name several dozen September songs. Each one represents a different reason for crafting a song with September in the title and as a theme.

Here is one other, Bill McGuffie’s “Sweet September,” in a 1963 recording by pianist Bill Evans (video after the jump):
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Today in History: August 31

Judge Richard Owen found that George Harrison had subconsciously plagiarized the song “He’s So Fine” in composing his own hit song, “My Sweet Lord,” on this date 40 years ago.

Judge Owen, who was himself a composer and musician, wrote a decision full of empathy for the composer’s plight:
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