Pandemic Diary 22: Earth Day in Quarantine

Season’s transition on Earth Day in upstate New York and Cape Cod.

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Out of the small details one can become reacquainted with the larger picture. We only notice the details when we give the details attention, and attention only comes if we allow time to not matter.

Time has opened up in quarantine, for almost everyone—except essential employees—at the same time and thus it has lost a bit of its potency. (I still feel in a rush; I do not know if I would feel this if I lived alone or not. Decades of personal experience of life in a rush cannot be undone in a month of quarantine. That said, I have twice misidentified the day of the week this month and even missed an online appointment.)

There is an echo of a sense of needing to be somewhere, a muscle memory of a life spent awaiting the next thing. There are at least two men in my town whom I only know as walkers, not pedestrians: I have not yet seen either one in the act of being someplace to which he had been en route. Each man is always en route, always on his way without ever arriving. (Pedestrians arrive.) Neither man strolls, each one walks with purpose, one man carries a backpack, a back and forth on our Main Street here that is rarely interrupted by the event of arrival or departure. There is no next thing in a life spent in a perpetual search for the next thing or a mindless avoidance of the current moment.
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Pandemic Diary 21: Reasons to ‘Smile’

“Buck up—never say die—we’ll get along.”

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Charlie Chaplin never published lyrics for the piece of music with which he concluded his 1936 film, Modern Times. The Tramp’s last gesture to the Gamine (Paulette Goddard) before the two literally walk off toward the sunset is to point to his mouth and draw a line up along his cheek.

“What’s the use in trying,” she had asked a moment earlier. The two are on the side of a road with no cars to hitch a ride, with all they own in kerchiefs on sticks. “Buck up—never say die—we’ll get along,” the Tramp’s last title card reads. The two walk off down the road and instrumental music swells and the film ends:

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Pandemic Diary 17: So Near, yet so Far

A need to connect: Unsolicited wisdom from me and unsolicited poetry offered to me …

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I speak to or even see my friends each day thanks to technology both old (telephone) and new-ish (online video conference). Most of our conversations are about how much we do not like this or about what we are doing to occupy the time.

Since I am a disabled and retired person anyway, certain facts of my life remain unchanged in quarantine: the availability of time combined with its rapid disappearance each day. Others are new: I do not drive and I reside too far from the nearest anywhere to walk there (my town is mostly shut down now, anyway), so I have no command at all over travel. Mere weeks ago, I could reach out to a friend and ask if that friend planned to drive past my neighborhood and could I grab a ride to town. If not, I could reserve a cab. I could walk around town for however long I might want. That day will come again, but that loss of independence (when I think about it, like I am now) is one I feel acutely.

The acceptance of that loss has been a fairly straightforward one to make. My friends mostly live quite near, so the video conversations, while welcome, are a little surreal, that over-used word. Again, if I think of it, it is surreal, so I do not. I realized yesterday that other than my housemate/landlord (with whom I travel to the grocery store), I have not seen a person whom I know in person since this began weeks ago.
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