‘Despair has no wings …’

To be is to despair and to despair is to remember the thousand tightly missed connections and not-yet completed conversations that will reveal themselves eventually as never really begun. The Surrealists got despair, perhaps better than most. They adopted Existentialism’s finer frustrations and rendered them with comedy, joy, and horror in sometimes strange proportions.

The comedy of coincidence and the tragedy of imminent abandonment dominate their work. Everyone is always alone, and this fact is simultaneously hilarious and horrifying in Surrealist Art.

André Breton, the founder of the movement, defined Surrealism as larger than a philosophy, deeper than mere art, an example of pure reason. His definition was both narrow and enormous, and it left his fellow writers, thinkers, and artists with the notion that they either were or were not Surrealists, whether they thought they were or not. If you said you were, you probably were not. The Surrealists did not reside in a safe and amusing world interrupted by slightly sad moments and then dinner; they lived fully in a horrifying and hilarious existence that demanded full attention, especially to one’s unconscious.
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Queen of the Hudson

One of the unique things that is somehow common to many people (we are all alike in our uniqueness) is a stated belief that our hometown is no place special. We are taught to be humble, so anyplace that our humble selves hail from must be thought of as not all that special, either.

This often masks a fierce inner secret belief that one’s hometown is in fact the best place to be from and (insert name of a higher power one believes in here) please help those who chose to be born somewhere else, especially those unlucky ones born in the nearest next neighboring town. Those people are the unluckiest of all, perhaps because they were born so near to our town’s greatness but were not, which renders all the more dramatic their failure at their life’s first and easiest task: pick the right place to be born.
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Henry Beston’s Cape Cod in Winter

The photo above was taken at Nauset Beach on Cape Cod on a December afternoon in 2010; the white glaze covering the footprints is ice and snow, and the Atlantic has ice in it—some of the white caps were frozen, and the waves merely swelled them, shifted them.

Henry Beston wrote perhaps the best physical description of Cape Cod in the opening lines to his classic book “The Outermost House“: “East and ahead of the coast of North America, some thirty miles and more from the inner shores of Massachusetts, there stands in the open Atlantic the last fragment of an ancient and vanished land. For twenty miles this last and outer earth faces the ever hostile ocean in the form of a great eroded cliff of earth and clay, the undulations and levels of whose rim now stand a hundred, now a hundred and fifty feet above the tides. Worn by the breakers and the rains, and disintegrated by the wind, it still stands bold.” He depicts a heroic shoreline, a land that declares its own terms of surrender against a hostile, battering sea. Given that from the air Cape Cod resembles a single raised fist jutting into the sea, a heroic, Byronesque, cliff face is only appropriate.
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