Daily Prompt | The Gad About Town

Lush Life

Posted on February 10, 2017 by Mark Aldrich

A personal reflection sparked by Olivia Laing’s excellent 2013 book The Trip to Echo Spring.

* * * *
Every alcoholic in recovery has a collection of anecdotes that can be simultaneously heartbreaking, outrageous, and hilarious. Perhaps they are hilarious only to fellow alcoholics; perhaps they can not even be listened to by outsiders. For an outsider, most alcoholic anecdotes may as well conclude with the same dark punchline, an interchangeable rubber-stamped ending: “And then I got away with it again.” Or, “I didn’t die that time, either.” And then comes the next hair-raising—or eyebrow-raising—tale.

Every alcoholic in recovery is living a story with a weird ending, if they remain in recovery. It is that two-word pair there, “in recovery,” that provides the surprise, the weirdness, a period of life as surprising to behold as some of the antics, the many bizarre actions and activities and inactions and inactivities that were surprising for outsiders to watch unfold in the previous life.
Read More

Heard, Not Seen

Posted on February 8, 2017 by Mark Aldrich

The poet and critic John Greening sums up the career of James Merrill, who conversed with the inhabitants of other planes of reality, in a 2010 essay, “Ouija”:

James Merrill made a point of breaking all the rules, of remaining recklessly formal when all about him were casting off their chains, of being incorrigibly discursive and elitist, shunning the rhythms of speech for something more refinedly musical, and unswerving in his determination to squeeze every last pun out of a line.—John Greening, “Ouija,” The Dark Horse, Summer 2010

Merrill was a rebel in his adherence to rules in a rule-breaking era. He wrote dazzling, perfect poems, and he employed almost every verse form available to him, as an actor might use accents. Greening quotes George Bradley: “Reading James Merrill is enough to make the rest of us suspect we’re not smart enough to write poetry.” Even at his smartest, he is engaging and not impenetrable. His pleasure in the sounds of words and the poetic effects he creates and his many puns are always evident. He compliments his readers in his implied assumption that we must know what he is writing about at least as well as he does.
Read More