30 Years with the Magnificent Glass Pelican

Perhaps the radar that the Magnificent Glass Pelican has flown under for many years had never been turned on. We escaped detection for so long because no one was looking.

My association with the longest-running unknown radio campus comedy show dates back to around this date in 1990. Before I met my friends (now lifelong friends), several had written skits and started to record them in a home recording studio.

One day, the friend with the recording studio (and the home!) asked to play me some of those tapes. I was a graduate student who had just started to study English Lit. and he had just finished his degree and was now an instructor in the English department. This was at SUNY (State University of New York) New Paltz.

I had just experienced a non-triumphant summer in which two college friends and I attracted enough attention to one of our theatrical productions to earn a negative review in the local daily newspaper. Compared to some, that made me an impresario.
Read More

Pandemic Diary 21: Reasons to ‘Smile’

“Buck up—never say die—we’ll get along.”

* * * *
Charlie Chaplin never published lyrics for the piece of music with which he concluded his 1936 film, Modern Times. The Tramp’s last gesture to the Gamine (Paulette Goddard) before the two literally walk off toward the sunset is to point to his mouth and draw a line up along his cheek.

“What’s the use in trying,” she had asked a moment earlier. The two are on the side of a road with no cars to hitch a ride, with all they own in kerchiefs on sticks. “Buck up—never say die—we’ll get along,” the Tramp’s last title card reads. The two walk off down the road and instrumental music swells and the film ends:

Read More

Pandemic Diary 3: With a Song in Our Heart

Perhaps in a world in which we need our neighbors more than usual, in which a global drama plays out in our local grocery stores and on the streets where we live, the music and creative expression we turn to for rest, relief, entertainment, and even solace—that deepest of words—ought to be local as well.

* * * *
When all this is over, some of the things we used to take for granted will appear to us a novelties or great new ideas. My gosh, even the thought of something ever ending feels something like a novelty at this moment.
Read More

On Broadway!

A continuing series: How to Be AwkwardTM, by Mark Aldrich.

* * * *
Noises Off is one of the most popular comic plays of the last forty years. If you have ever seen it performed, you know it can be hilarious; the film version proved that there are some plays that can not be made into movies because they are so completely theatrical.

This is a story about the original Broadway production and an apology from me to Victor Garber, who starred in it.
Read More

Gil Gutiérrez at Opus 40

Gil Gutiérrez is a master guitarist who has performed at the Kennedy Center, Carnegie Hall, and in intimate venues like the Jazz Standard in New York City.

In recent years, he has performed with symphony orchestras and jazz combos; over the last decade, he has been a member of the San Miguel 5, Doc Severinsen’s current group, which has several performances scheduled this year to celebrate Doc’s 90th birthday.

Gutiérrez maintains a busy performance schedule in America and at home in Mexico, but perhaps the most fulfilling way to experience his ongoing musical exploration is in an intimate setting such as a wood-lined parlor while he is at work in a small group, such as in a trio with violinist Robert Stern and bassist David Rodriguez. Hmmmm. On Saturday, May 13, Gil Gutiérrez, Stern, and Rodriguez will bring their music to the Barbara Fite Room at Opus 40 in Saugerties, New York.

Tickets are available for $30 in advance, $40 at the door. Tickets are available online through PayPal, or by calling (845) 246-3400.
Read More

Goodnight, Sweet Prince

Even in his later years, hunched over a cane, age did not appear to de-fang him. Don Rickles was still quick with his quips, even if the quips came quickly to him because he shot them out every day for six decades, quick with his many facial expressions of disgust and disappointment.

His reactions to audience reactions often brought his jokes from the barely memorable to the legendary. Rarely has a performer conveyed so much with the mere flicker of a expression change.

Don Rickles died today. The stand-up comic was 90, a month shy of his 91st birthday, but he was rarely shy. (I’ll be here all night folks, thanks.)

His stand-up act, till his last days, was remarkable, for someone past age 90 or not even 19, really: it was always unscripted. Yes, he knew what “insults” he was most likely going to deploy “against” audience members, and he knew that somehow he was going to convey that he was on the audience member’s side and not punching down at them. That was the extent of the notes he carried on stage with him. It was a tightrope act.

“If I were to insult people and mean it, that wouldn’t be funny. There is a difference between an actual insult” and doing that, he often stated.
Read More

Remembering Pete Seeger

In 1996, in my job of assistant editor at a weekly newspaper, I awarded myself the title of music reviewer for a single issue and attended a concert given at a local high school by Pete Seeger, who died three years ago today at age 94. (Our newspaper’s actual music reviewer was only interested in attending and writing about rock concerts. This was a stroke of luck for me.) I wrote a review, even though I knew that a review is not what one writes about a Pete Seeger concert. An appreciation. A thank-you note. But not a mere review judging aesthetic merits.

It was a great concert, by the way.
Read More

Climbing the Charts: Tania Stavreva

Perhaps my accidental double-purchase helped, but probably not. More about that encounter between an artist and listener in a moment …

A new entry appeared on Billboard magazine’s charts this week: pianist Tania Stavreva’s self-produced, independent, debut CD, Rhythmic Movement, which introduced itself at number 8 two days ago. It remains in the top 25 today.

Among her album’s competitors are new CDs from Andrea Bocelli, Björk, Murray Perahia, Renee Fleming, the Vienna Philharmonic, Elvis Presley (!), and Heart (!). The reviews of Ms. Stavreva’s album are in, they are stellar (and this website has been quoted); the record-buying public has followed, and listeners are discovering an important new talent.
Read More