Culture

Auden & Bluffing

Posted on by Mark Aldrich

In the documentary, “Tell Me the Truth About Love,” W.H. Auden’s friend Thekla Clark recounts the story of one of Auden’s lovers complaining to him that he thought Auden would be more “romantic,” being a poet, after all. “But you aren’t romantic,” Clark quotes the lover telling the poet. “You aren’t romantic at all.”

“If you want romance,” Clark quotes Auden replying, “screw a journalist.” (Except the word used is not “screw.”)

Auden was not one to ruin a good line—or a good night—by spending it an explanation of the difference between the romantic and the sentimental.
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Veterans Day

Posted on by Mark Aldrich

“Their life consisted wholly and solely of war, for they were and always had been front-line infantrymen. They survived because the fates were kind to them, certainly—but also because they had become hard and immensely wise in animal-like ways of self-preservation.”—Ernie Pyle, World War II journalist, writing about what he saw at the front. Killed in action April 18, 1945.

I do not come from a family that talks much about its military service. My father was drafted in 1958, served his two-year-long tour, and then came back home to a job that had been held for him. This was during the Cold War, so he did not see action but he did see more of the world than he had up till then, or since. He served in the U.S. Army in Germany during the Cold War as a calculator tasked with determining missile flight paths. (I believe he worked with the Atlas missile, an early ICBM model.)
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Deus Ex Post Facto

Posted on by Mark Aldrich

In classical drama, the term deus ex machina refers to a plot device wherein a plot problem is suddenly solved by the arrival of a previously unannounced character who supplies the answer or solution. “But don’t you know? That’s your brother!” would be a line delivered by a deus ex machina character, thus helping our hero avert or defeat a troublesome situation.

When a playwright or a novelist needs to fix an intractable plot puzzle, he or she might resort to the tool, which is Latin for “god from the machine,” or “you couldn’t figure it out for yourself with the characters you’d created, so you punted,” but audiences since ancient times have tended to see through the fix. “Where did HE come from?” More often than not nowadays, it is used ironically, but when you find yourself reading a book and seeing lines delivered by a character that you do not remember being introduced to, your inattentive reading is not to blame. That character really was not there 20 pages earlier.
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