Culture

Statistics and Other Things

Posted on by Mark Aldrich

Our newspaper’s weekly circulation was a closely guarded exaggeration. The circulation manager knew the number, the editorial department knew it, the advertising manager knew it. The newspaper’s circulation was about 2000 copies per week. And now you know it, too.

The pliability of the words “circulation,” “copies,” “newspaper,” and “week” was tested with every ad sales phone call. This is because if we told an advertiser the (correct) 2000-per-week number, that advertiser might have asked us to pay them for the honor of placing their ads; thus, our ad sales manager gave them a number 10 times larger. More often than not, they were told that over 20,000 pairs of eyes “saw” any given issue of the newspaper. Actually, in a laudable effort at a specificity that would grant our numbers legitimacy, they were given a figure of “21,000 readers.”
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A Thank-You Note to Pete Seeger

Posted on by Mark Aldrich

In 1996, in my then-job of assistant editor at a weekly newspaper, I awarded myself the title of music reviewer for a single issue and attended a concert given at a local high school by Pete Seeger, who died two years ago today at age 94. (Our newspaper’s actual music reviewer was only interested in attending and writing about rock concerts. That was a stroke of luck for me.) I wrote a review, knowing full well that a review is not what one writes regarding a Pete Seeger concert. An appreciation. A thank-you note. But not a mere review judging aesthetic merits.

It was a great concert, by the way.
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When Nomi Met Bowie

Posted on by Mark Aldrich

December 15, 1979. For Klaus Nomi, his performance as a singer/dancer/weird presence for one single show behind David Bowie that night on Saturday Night Live seemed to be an indication that he was on the right path and he was headed to glory; instead, it was the high-water mark of his brief career.

When Bowie died in January 2016, SNL broadcast one of the songs from that appearance, a performance of “The Man Who Sold the World,” in which Bowie sings in a plastic tuxedo so rigid that Nomi and his co-backup, Joey Arias, were tasked with carrying Bowie to and from his place at the mic. (It was a gift from SNL because no complete, legal, clip of any of the three songs has been available online, as NBC is as legally rigid as Bowie’s tuxedo’s fabric was.) Nomi was so enamored with the plastic suit that he wore a similar one as his costume for the remainder of his career, but his tux was one Nomi could walk in but not sit in or bow to an audience while wearing, which made his own appearances in it similarly awkward.

Here is “The Man Who Sold the World” from that 1979 appearance (SNL/NBC already deleted the official clip; here is one I found):
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