Culture

Brushes with Greatness: John Waters’ Moustache

Posted on by Mark Aldrich

Memory—well, my memory—will sometimes persuade me to remember my memories with a specificity of a snapshot stared at and studied for the pop quiz that I assume life will throw at me on any given school day.

John Waters’ moustache did not knock me out of the way on a Provincetown street one summer afternoon. But that is how I recall my memory of our split-second encounter. He didn’t say or do anything, my memory tells me; his pencil moustache did.
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A Thought About Prince

Posted on by Mark Aldrich

Officially, he released 39 albums in 37 years. Often, these were solo albums as the term would imply: albums on which he made sounds with his own hands on his instruments and singing his own words and music. This does not include live albums, “hits” compilations, or all the songs he sold other artists.

Legend has it that there is as much unreleased music yet to be heard by the public. His most recent album came out in December 2015.

When Prince died today, it was a shock because 57 is 57, after all; because he has been touring with an acclaimed solo acoustic show; because when news broke about a hospitalization last week with dehydration from the flu, he handled the publicity with some cheeky Tweets and Instagram photos. This weekend, he did something he often did at his home/studio in Chanhassen, Minnesota (Paisley Park): host a dance party at $10 per ticket at which he performed.
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Auden’s ‘Thank You, Fog’

Posted on by Mark Aldrich

“My face looks like a wedding cake left out in the rain,” quipped W.H. Auden. Indeed, by the age of 60, Auden’s face looked like the most-read library book in the most popular library; it exhausted any adjectives thrown at it—it was its own adjective. His friend Hannah Arendt said he looked “as if life itself had delineated a kind of face-scape to make manifest the ‘heart’s invisible furies.'”
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