Song of Myself

I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.
 
I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.
 
My tongue, every atom of my blood, form’d from this soil, this air,
Born here of parents born here from parents the same, and their parents the same,
I, now thirty-seven years old in perfect health begin,
Hoping to cease not till death.
 
Creeds and schools in abeyance,
Retiring back a while sufficed at what they are, but never forgotten,
I harbor for good or bad, I permit to speak at every hazard,
Nature without check with original energy.
—Section 1, “Song of Myself,” Walt Whitman, 1855

By the end of his life in 1892, Walt Whitman had published eight revised editions (eight or so; there is some debate on this matter) of his major volume of poems, “Leaves of Grass,” culminating in a ninth edition, what he himself called the “deathbed edition.”

“L. of G. at last complete—after 33 y’rs of hackling at it, all times & moods of my life, fair weather & foul, all parts of the land, and peace & war, young & old,” he wrote a friend. He was only 72 when he died, but with his white beard and self-presentation as a man who had existed for the entire country’s history, he seemed older.

It all started on the 4th of July. On this date 160 years ago, Whitman published the first edition of “Leaves of Grass,” a book that contained twelve poems, each without a name, and starting with the opener, a poem that became known over time as “Song of Myself.”
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Dulce et Decorum Est

“Their life consisted wholly and solely of war, for they were and always had been front-line infantrymen. They survived because the fates were kind to them, certainly—but also because they had become hard and immensely wise in animal-like ways of self-preservation.”—Ernie Pyle, World War II journalist, writing about what he saw at the front. Killed in action April 18, 1945.

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Moon Swoon June

In October, I wrote this:

The belief that there is a connection between things that happen on Earth and things that happen at around the same time in the night sky is such a seductive one that it has transcended human eras, societies, religions, and politics. Dictators and democrats alike have believed in auspicious and inauspicious times to begin initiatives or end policies. (Or lives.)
 
It is understandable that we humans would think of ourselves so non-humbly, that we would see ourselves not only as the conclusion to nature’s long, almost-eternal, statement, one that seems to have led to us, but that we would view ourselves as not merely a conclusion to nature’s statement, a period mark, but as THE conclusion, an exclamation point. To paraphrase a TV show: “We are the one who knocks.” We aren’t much, but we’re all we think about.
 
In the universal scheme of things, however, humanity’s history may not even show up as a comma in eternity’s sentences.
 
And this is just fine. Nature or the Big You Know Who Upstairs granted us a wonderful gift, life, for no reason at all, which is the definition of grace. And humans, many humans, were granted consciousness, which also was undeserved.— “‘The Way’,” October 28, 2014

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