Poetry | The Gad About Town

A Reading for Ashraf Fayadh

Posted on January 14, 2016 by Mark Aldrich

At his retrial in November 2015, the court not only found him guilty a second time but decided to change his sentence from flogging to death by beheading. The poet Ashraf Fayadh, a stateless Palestinian born in Saudi Arabia, was arrested in January 2014 and charged with apostasy, with renouncing his religion. His poetry was put on trial. His life is at risk.

When a court appoints itself as a literary critic, both the judicial system it is a part of and literature are diminished.

Today, writers around the world are focusing attention on Ashraf Fayadh’s story: according to The Guardian, 122 events in 44 countries are being held in which Fayadh’s work will be read. It is being organized by the “International literature festival Berlin.”

Consider this column, with my recording down below, one more event.
Read More

The Kingdom of Anxiety

Posted on December 26, 2015 by Mark Aldrich

The concluding sections of W.H. Auden’s Christmas oratorio continue his blend of the contemporary and everyday with the mysterious and eternal. All of modern philosophy is briefly made to vanish in a blur of the mundane world:

But, for the time being, here we all are,
Back in the moderate Aristotelian city
Of darning and the Eight-Fifteen, where Euclid’s geometry
And Newton’s mechanics would account for our experience,
And the kitchen table exists because I scrub it.
It seems to have shrunk during the holidays.

The fact of faith—not what one has faith in, but that faith exists, is a reality itself—that is the miracle of the day, is what Christmas is about:

Follow Him through the Land of Unlikeness;
You will see rare beasts, and have unique adventures.

For Christmas: ‘For the Time Being’

Posted on December 25, 2015 by Mark Aldrich

During World War II, the poet W.H. Auden wrote a book-length poem entitled “For the Time Being.” It is subtitled, “A Christmas Oratorio,” and it is a retelling of the Christmas story, but with a 20th Century sensibility. His Herod, for instance, is a technology-loving king who loves that he lives in an Age of Reason and is ever-perplexed by faith and irked that he must hunt down and exterminate the baby Jesus.

An oratorio is a type of composition that was popular in the Baroque period and in churches and has not had many comebacks as a poetic or theatrical form because it never had a period of dominance. It never went away but it was never the first choice of writing mode for many writers. (Paul McCartney produced a quite famous one, “A Liverpool Oratorio,” two decades ago.) Auden was a poet of structures and forms, though, and he produced an attempt at almost every style and poetic structure in his body of work (about 400 poems and several full-length verse plays).
Read More