The Story with a Twist, or, I’m a Frayed Knot

Every alcoholic in recovery has a collection of anecdotes that can be simultaneously heartbreaking, outrageous, and hilarious. Perhaps they are hilarious only to fellow alcoholics; perhaps they can not even be listened to by outsiders. For an outsider, most alcoholic anecdotes may as well conclude with the same punchline, an interchangeable rubber-stamped ending: “And then I got away with it again.” Or, “I didn’t die that time, either.” And then comes the next hair-raising—or eyebrow-raising—tale.

Every alcoholic in recovery is living a story with a twist ending, if they remain in recovery. It is that two-word pair there, “in recovery,” that provides the surprise, the twist, a period of life as surprising to behold as some of the antics, the many bizarre actions and activities and inactions and inactivities that were surprising for outsiders to watch unfold in the previous life.
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Almost, Famous?

Noises Off” is one of the most popular comic plays of the last forty years. If you have ever seen it performed, you know it can be hilarious; the film version proved that there are some plays that can not be made into movies because they are so completely theatrical. This is a story about the original Broadway production and an apology from me to Victor Garber, who starred in it.
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Roland Barthes

The philosopher, semiotician, literary theorist—the writer—Roland Barthes died 35 years ago today.

Reading him (well, a good translation, usually by Annette Lavers or Richard Howard) as a teenager was one of my formative experiences; it was my first conscious experience of my brain expanding with the simple idea that everything is worth notice and consideration. Everything produced by a culture is a signifier of at least that culture itself. His most popular book, Mythologies, is about common aspects of civilization, the items and ideas that make up our modern mythology of ourselves: plastic, toys, striptease, cruises, soap and detergents. Other writers and cultural critics have followed Barthes; perhaps the fact that the job title “cultural critic” exists is attributable to Barthes’ work. Almost every television, music, and film reviewer owes Barthes a debt, but his studies went far deeper than the popular everyday items.
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