Veterans Day

“Their life consisted wholly and solely of war, for they were and always had been front-line infantrymen. They survived because the fates were kind to them, certainly—but also because they had become hard and immensely wise in animal-like ways of self-preservation.”—Ernie Pyle, World War II journalist, writing about what he saw at the front. Killed in action April 18, 1945.

I do not come from a family that talks much about its military service. My father was drafted in 1958, served his two-year-long tour, and then came back home to a job that had been held for him. This was during the Cold War, so he did not see action but he did see more of the world than he had up till then, or since. He served in the U.S. Army in Germany during the Cold War as a calculator tasked with determining missile flight paths. (I believe he worked with the Atlas missile, an early ICBM model.)
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Deus Ex Post Facto

In classical drama, the term deus ex machina refers to a plot device wherein a plot problem is suddenly solved by the arrival of a previously unannounced character who supplies the answer or solution. “But don’t you know? That’s your brother!” would be a line delivered by a deus ex machina character, thus helping our hero avert or defeat a troublesome situation.

When a playwright or a novelist needs to fix an intractable plot puzzle, he or she might resort to the tool, which is Latin for “god from the machine,” or “you couldn’t figure it out for yourself with the characters you’d created, so you punted,” but audiences since ancient times have tended to see through the fix. “Where did HE come from?” More often than not nowadays, it is used ironically, but when you find yourself reading a book and seeing lines delivered by a character that you do not remember being introduced to, your inattentive reading is not to blame. That character really was not there 20 pages earlier.
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#FreeShawkan

So far in 2015, we have seen journalists beheaded with machetes, a blogger whipped with a cane as an official judicial punishment for his writing, editorial cartoonists gunned down in their office, bloggers hacked to death in Bangladesh, more than 20 journalists detained and even convicted and jailed in Egypt, and journalists detained in America for covering the racism prevalent in almost every official part of our system. Not a great year.

In August, a judge reaffirmed a guilty verdict against three al-Jazeera English journalists. Last month, President al-Sisi pardoned the journalists as a part of the annual Eid holiday tradition of leaders granting pardons. The current regime in Egypt does not much like journalists, and it is estimated that some two dozen writers and photographers are in prison in that country, having been arrested for doing their jobs. Usually, they are charged with “spying,” but more often than not they are detained for months or even years before they even hear why they were arrested or what charges they face.

Mahmoud Abu Zeid is a photojournalist whose work you may very well have seen, as his photographs have appeared in Time magazine and some of them were syndicated by Corbis. (One appears below the fold.) He covered the protests in Tahrir Square and the trial of former president Hosni Mubarak. His professional name is Shawkan. As of today, November 30, 2015, he has spent 838 days in pre-trial detention. His first court session is due to take place on December 12, but his lawyer reports to Amnesty International that he has yet to see Shawkan’s case file. Under Egyptian law, there is a two-year cap on pre-trial detention; 794 days is longer than two years.
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