Me, a One-Hit Wonder

The photo above shows it, the moment in which my life did not change. I may desire the sensation of a life-altering fame, but I know that one semi-viral tweet only serves to remind one that that sensation has not yet been felt in this life. Is it possible to desire something that one has not experienced? Is “desire” the correct word here?

Anyway, a tweet of mine tossed off last night with insouciance of a man who knows nothing about insouciance was liked 750 times (so far) and re-tweeted more than 130 times, and viewed/read/chuckled at (I hope) more than 200,000 times in under twenty-four hours. This is worth a post here if only because my average Twitter engagement is usually 200,000 times smaller than that.

Some of you may be acquainted with the feeling. Some of you may have watched one of your tweets fly out of the nest and somehow attract attention from hundreds of thousands of other Twitter-nests. This is my first time. In thirteen years on Twitter, ten with the current account, this is the first hit tweet. And nothing has changed for me: I am as annoyed or not annoyed by the world and most of its denizens as if 200,000 pairs of Twitter-eyes had not alighted on my one-liner.
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Pandemic Diary 28: Focus, People, Focus

Whatever the opposite of a laser is, that is my unfocused brain in quarantine some days.

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Anecdotal evidence is evidence only of an anecdote, so I report this not with statistical accuracy but only as something noticed: there has been an uptick in the number of posts on my social media feeds of individuals who describe themselves as “TIs” or “targeted individuals.”

“Targeted individuals” labor under the belief that each one is the focus of intense electromagnetic energy pulses sent to torment them; now, these individuals indeed appear to be tormented, to judge from what they write and how they write it (ALL CAPS and no punctuation), so it is no surprise that they need something on which to blame their depression and suffering.

I am one of those readers who always takes a moment to report these accounts to the Twitter or Facebook offices as “someone in danger of self-harm.” As a more-than-casual consumer of content from Twitter, Facebook, Instagram, I have my own sense of how often I encounter posts from self-proclaimed targeted individuals: about twice a year. There have been more than that number this month alone.

Is this an effect of quarantine? Our national and global economies are in a free-fall brought on by a mandatory lock down (in many communities) made necessary by a fast-moving virus that mostly kills the infirm and elderly but also kills the young, middle-aged, and healthy (in New York City, more than twenty-five percent of the dead were younger than sixty-four and the greatest number dead of COVID-19 with no underlying condition are those between forty-five and sixty-four; not young but still employable); which ended almost all in-person commercial activity; which led to businesses shut down and employees furloughed or laid off.
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Pandemic Diary 21: Reasons to ‘Smile’

“Buck up—never say die—we’ll get along.”

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Charlie Chaplin never published lyrics for the piece of music with which he concluded his 1936 film, Modern Times. The Tramp’s last gesture to the Gamine (Paulette Goddard) before the two literally walk off toward the sunset is to point to his mouth and draw a line up along his cheek.

“What’s the use in trying,” she had asked a moment earlier. The two are on the side of a road with no cars to hitch a ride, with all they own in kerchiefs on sticks. “Buck up—never say die—we’ll get along,” the Tramp’s last title card reads. The two walk off down the road and instrumental music swells and the film ends:

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