Glass Houses

There is a wonderful show business saying that if a performer is a great enough talent, “you could put him or her behind a brick wall and they will still find a way to entertain.” While I believe this to be true in idealistic theory, I also think that not putting him or her behind a brick wall would be profoundly helpful to their cause. If a website is going to be worth a visit, publicity is going to help get that visit.

I have gone viral approximately not once, so I have some expertise in the field of not being at all famous.

Some of you may not remember that last March I was almost on the verge of getting on line for the waiting room to visit the Land of the Almost Known. My “About.me” page was featured on that website’s “popular” list, and my page, which usually receives about 150 views per day, was seen by 3051 other About.me users, 2000 within the first hour of being listed. Another 1300 visited the next day.

Three thousand. I know, I know. I have lived in at least one building that had a larger population.

What does fame feel like? Living in Philip Johnson’s “Glass House.”

The Glass House. Located in New Canaan, CT, it was built in 1949.

The Glass House. Located in New Canaan, CT, it was built in 1949.


 
This post will be number 192, I think, on this website. There are a handful of columns that I am proud of having written and published, and they are these:
1. The several pieces I have published about my life with adult spinal muscular atrophy. I even explain the duck on my website. Here, I will group them together in one package: Spinal muscular atrophy.
2. A Conspiracy Theory of Conspiracy Theories
3. Guilty of White
4. Requiem for a Sponsor
5. Two appreciations of the Bonzo Dog Doo-dah Band and its leader, Vivian Stanshall
6. A column about the Baseball Hall of Fame
7. An appreciation of one of my favorite places, Opus 40
8. Comedy: The ‘Fish-Slapping Dance’
9. A column about W.H. Auden’s character: “Auden’s Decency”

As a self-publicist, I am not certain I would hire me, but I was the only person to apply for the job. On Twitter, there are a handful of people who profess to like what appears here and even share selected pieces. That amazes me, and I am speechless.

There are also people on that service who use unpleasant names (I was called the B word recently, which was a surprise) or offer strange advice (when I shared a recording of T.S. Eliot the other day, the fiftieth anniversary of his death, one person took the time to explain what drugs I ought to get a prescription for, and that he could help). In the name of publicity, I should never block anyone, but I did in both of those cases.

No glass house for me.

* * * *
Please visit some or all of the above columns, follow me on Twitter, and please subscribe to The Gad About Town on Facebook: http://www.facebook.com/thegadabouttown. Thanks.

____________________________________________
The WordPress Daily Prompt for January 6 asks, “Your blog just became a viral sensation. What’s the one post you’d like new readers to see and remember you by? Write that post.”

How to Be a Live TV Audience

In honor of Stephen Colbert’s final “Colbert Report” tonight, here is a column I wrote in September about attending a taping of his show. Thanks for the memories, Stephen (and Gerry and Theresa).

Mark Aldrich's avatarThe Gad About Town

Comedy Central’s two main franchise shows are both recorded in a part of New York City called “Hell’s Kitchen,” a section of Manhattan that extends about 25 blocks south and west of Central Park and west of Midtown over to the Hudson River. Most of the buildings in the neighborhood are former walk-ups and townhouses that are now offices for media companies; “The Colbert Report’s” studio looks like it was a house or storefront once upon a time.

The Thursday, September 18, 2014, broadcast of “The Colbert Report” was a very special one because I was in the audience, as I wrote yesterday, in “Four Minutes and 24 Years.” Terry Gilliam, the legendary film and theater director (the list is epic and includes: “Time Bandits,” “Brazil,” “The Fisher King,” “Fear and Loathing in Las Vegas,” “The Zero Theorem”) and Monty Python animator and cast member, was the guest.

View original post 1,079 more words

Put a #Hashtag on It

Many writers will claim that they “write for themselves.” This is true enough, but attention, constructive criticism, and a few “attaboys” will make the days creep at a better than petty pace.

In this social media saturated age, in which both of my septuagenarian parents have Facebook accounts and people who state that they do not understand Twitter have a couple thousand followers on that service, drawing attention to one’s work without purchasing advertising time on the radio to scream for 30 continuous seconds seems difficult. For me, a naturally quiet sort, sharing the publication of a new piece naturally feels unnatural, like recording that 30-second Janovian advertisement. Screaming is so unseemly.

But here I am, addicted to my numbers, measuring my metrics each day. It is an inner battle between believing that what I write is worth being written (does having readers or a reader equal “worth”? No, of course not) and wanting people to discover this (un)certain idea for themselves.

In the Peter Cook-Dudley Moore film, “Bedazzled,” poor Stanley Moon (Moore) wants the affection of Margaret (Eleanor Bron). The Devil, George Spigott (Peter Cook), offers him seven wishes to win her. In one, Stanley is a gold-lamé-costumed rock star whose new hit song “Love Me!” drives all the young women, including Margaret, wild. The lyrics, and Moore’s performance, are little more than him yelling “Love Me!” The very next act, Drimble Wedge and the Vegetations, wins them all over to the Devil, George, when he speak-sings his contempt for their affections. (“I’m self-contained. Leave me alone,” goes the new hit, and his dry loathing for them makes the women in the audience desire him all the more.) Stanley gets run over in the crowd rushing to the Devil at the end of his song.

 

I want to be like George Spigott, the Devil, and declare my lack of outer needs like affection (so banal) and love (so, ugh, human), so that all life-forms on planet Earth will run over each other to cover me in kisses, but really, I am like Stanley. The mere thought of wanting to be like the Devil makes me that much more like Stanley, too.

There are tools to get attention in the cacophony of voices making themselves heard in our social-media-saturated world. (I used to teach freshman college English, and any time that I write something like “In the world” or “In our such-and-such world,” I always hear the nonsense phrase that I saw again and again at the beginning of my students’ papers: “In our world of today.”) But if I hit “publicize,” a fine WordPress tool made available to those of us who use it, and my post goes to Facebook, there it sits as a reminder to people who already know about this website right here. My personal friends. If it gets publicized to Twitter, it gets lost in the dozens of posts per second that whiz past any number of readers.

The hashtag tool seems to be one item that helps the world of noise organize itself. And it has helped me direct some attention toward some columns. And it has not helped me at all, also. Like all imperfect things, it is imperfect. And that is perfect, because it is something else to learn about, experiment with, and use.

And what does a hashtag do? When one posts something on the different media platforms, a label with this punctuation mark: #, is what is called hashtagged. It helps the post get clumped together with anything else so labelled, so that people who might be interested in what it is about might find it. The title of this piece, “Put a #Hashtag On It,” will automatically be clumped together with anything else containing “#hashtag” in the title or description. (How many of those might there be today? We will see.) For the last week or so, the hashtagged phrase, “#ICantBreathe” (minus the quotation marks) has been getting a lot of attention, for good and obvious reasons. It is a shorthand way of saying, “Here is a good article about this topic or concern” or “I am showing solidarity with this concern.”

Here is a good article about this: “Now Trending: Hashtags.”

But it is an imperfect tool. Yesterday was Tom Waits’ birthday and I tweeted two tribute tweets. Both had #TomWaits in the statement. One Tweet was shared and re-shared, by people I have never before encountered on Twitter, hundreds of times according to Twitter (the first one below), and the other? Well, it was not.

What was the difference between the two? I have no idea.

____________________________________________
The WordPress Daily Prompt for December 7 asks, “What’s the most important (or interesting, or unexpected) thing about blogging you know today that you didn’t know a month ago?”

* * * *
Please subscribe to The Gad About Town on Facebook: http://www.facebook.com/thegadabouttown