In Memory of a Fallen Friend

Forgive my grief for one removed,
Thy creature, whom I found so fair.
I trust he lives in thee, and there
I find him worthier to be loved.
 
Forgive these wild and wandering cries,
Confusions of a wasted youth;
Forgive them where they fail in truth,
And in thy wisdom make me wise
.
—Alfred, Lord Tennyson, “In Memoriam A.H.H.”

* * * *
Six-foot-four. If you asked him, and people often did while gazing up at him, “How tall are you,” he would reply, “6-4,” as if someone had once told him that “6-5” (his obvious actual height) sounded like a brag and he did not want to add a brag to his already imposing height. The man bent his head to pass through door frames. He was tall.

Modesty was the virtue he most cherished. It was not a false modesty or a virtue-signaling; I have learned that you will sometimes meet people in life who radiate modesty because they know that life cuts all of us down and they have learned it in the hardest of ways. Mickey J. was one of those people, and when I went to bed last night, I still thought I lived in a world shared with my friend, but he had died yesterday. I woke to the news on my phone.
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Gil Gutiérrez at Opus 40

Gil Gutiérrez is a master guitarist who has performed at the Kennedy Center, Carnegie Hall, and in intimate venues like the Jazz Standard in New York City.

In recent years, he has performed with symphony orchestras and jazz combos; over the last decade, he has been a member of the San Miguel 5, Doc Severinsen’s current group, which has several performances scheduled this year to celebrate Doc’s 90th birthday.

Gutiérrez maintains a busy performance schedule in America and at home in Mexico, but perhaps the most fulfilling way to experience his ongoing musical exploration is in an intimate setting such as a wood-lined parlor while he is at work in a small group, such as in a trio with violinist Robert Stern and bassist David Rodriguez. Hmmmm. On Saturday, May 13, Gil Gutiérrez, Stern, and Rodriguez will bring their music to the Barbara Fite Room at Opus 40 in Saugerties, New York.

Tickets are available for $30 in advance, $40 at the door. Tickets are available online through PayPal, or by calling (845) 246-3400.
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Justice Delayed: ‘This is my existence … I’m Shawkan’

A journalist’s job is to be in the wrong place at the wrong time.

* * * *
Perhaps it is an indication of progress that the latest adjournment in the ongoing trial of Mahmoud Abu Zeid, the Egyptian photojournalist who goes by the name “Shawkan,” was announced in court today for a date that is less than a month in the future: Saturday, May 20. Most of the postponements in the trial have been a month or longer.

Perhaps it means nothing at all. The court was presented with a “report on the forensic medicine of” Shawkan but Shawkan was reported to not be present:

 
Eleven days. For a human rights trial noteworthy for its glacial pace, perhaps the fact of a briefer delay until the morning that Shawkan can have his case heard means something, but this trial rebuffs all attempts to interpret its tiny shifts and huge delays.

Today is Shawkan’s 1365th day in prison.

Shawkan’s ongoing story, with its staggered month-by-month steps, is one of the denial of basic human rights by a nation allied with Western governments, but it also has been a story of many citizens stepping up and making certain that Shawkan’s story is heard. Both stories are worth knowing.

Shawkan is one of approximately twenty-five journalists jailed in Egypt, according to the Committee to Protect Journalists.

For those unaware of Shawkan’s story, I recently wrote the following background article:
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